Qualitative Design Chart Essay - 1097 Words

Qualitative Design Chart The type of data collection for a qualitative research study depends on the research design. The qualitative design itself originates out of the disciplines and flow throughout the process of research (Creswell, 2014). Creswell (2014) recommends narrative, phenomenology, ethnography, case study, and grounded theory as common qualitative research methods. These were recommended because of they are popular across the social and health and science research studies. Hays and Woods (2011) asserted that selecting a research tradition congruent with ones research orientation and study purpose, and at the same time, infusing it in all phases of qualitative inquiry, is one of the key criterions for trustworthiness of†¦show more content†¦This introduces a range of strategic, ethical, and personal issues with the qualitative research process. Therefore, inquirers explicitly identify reflexively their biases, values, and personal background, such as gender, history, culture, and s ocioeconomic status that shapes their interpretations from during the study (Creswell, 2014). Given its importance in framing the design and maximizing rigor of qualitative inquiry, the purpose of this paper is to provide an overview of major qualitative research traditions and illustrate how their infusion into various qualitative research design components. For this purpose, this paper will construct a chart that will list different designs that may be appropriate for some upcoming studies. For each design, the type of data collection is included. The above paragraphs include discussions in the possible qualitative designs and data collection methods of an upcoming research paper. The following section will discuss the selection of an adequate sample size, using best practice for qualitative research. The paper shows a chart showing five different qualitative methods of research, along with the typical data collection methods. The paper will then conclude by summarizing the significant points. Sample size One of the fundamental tasks in qualitative research, other than the selection of a research topic, is to create credible research by obtaining an appropriate sample. This is toShow MoreRelatedPoor Documentation Of Care And Impact On Patient Outcome Essay1371 Words   |  6 Pagespatient outcome Clinical Question The distinct clinical question directing the search for a quantitative article includes: How would poor documentation of care have an impact on patient outcome? The exact clinical question used in the search for a qualitative article includes: Does establishing state standardized documentation protocols have an impact on hospitalized in-patients in acute settings? 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Jennifer Persaud. Professor Adams . Music 101. April 2017.

Jennifer Persaud Professor Adams Music 101 April 2017 Wolfgang Amadeus Mozart Johann Chrysostom Wolfgang Amadeus Mozart was born in 1756 and died in 1791. Shortly after his birth in Salzburg, Austria, he was baptized as Joannes Chrysostomus Wolfgangus Theophilus Mozart however, he just went by Wolfgang Amadeus Mozart. As aforementioned, his baptism refers to the religious rite of a person that belongs to a Christian Church. His mother, Anna Maria Mozart and his father, Leopold Mozart had seven children together however, only two of them survived; Maria Anna and Wolfgang Amadeus. His elder sister, Maria Anna, was nicknamed Nannerl. She was just as talented as her brother however, decause of†¦show more content†¦While working freelance, Mozart wrote numerous operas and he was even asked to write a requiem, which is a piece of music used to honor someone who had died. Mozart was a virtuoso on the piano. A virtuoso refers to someone who is highly skilled on his or her instrument. Mozart played keyboard and violin while his sister only played the keyboard. At the early age of 3, Mozart was showing signs of being musically gifted and began composing shortly after. Both he and his sister received intense musical training which, in turn, allowed Mozart the opportunity to grow as a musician. It became certain that Wolfgang Amadeus Mozart was a child prodigy. This meant that he had a skill that was not learned. He had a natural gift for music. Their father, Leopold began teaching his children music at a young age. Because of this, both children were destined to get far in their musical careers. Over his short life, Mozart wrote several operas. His most famous operas include; The Marriage of Figaro, The Magic Flute and La Clemenza di Tito. Operas and plays that are entirely sung. Each of Mozart’s operas have a story behind it. For example, The Marr iage of Figaro is a comedy about a couple trying to get married but, a series of obstacles interferes with it. Because Mozart showed a talent for music at the young age of six, his father took him and his sister to play in from of a court and they caught the attention of important individuals. This resulted in a tour.

Reversal of impairment loss for the cash - MyAssignmenthelp.com

Question: Discuss about the Reversal of impairment loss for the cash. Answer: An asset, as per the AASB 136, is known to be impaired asset of the concerned company if the market price of that particular asset is less than the recorded value of the same in the balance sheet of the company in concern. The written down assets are considered as fixed assets since the span of time of the carrying value of the same is larger for impairment purpose (Linnenluecke et al. 2015). However, when the carrying amount of an asset is greater than the recoverable value of the same, then the asset is considered impaired. It falls, as a responsibility of a company to measure the assets recoverable amount if there exists, any indication of impairment in the asset. For the purpose of the same, assessment needs to be carried out by the company at the end of each period of reporting and the assets recoverable amount needs to be estimated if impairment indication exists for the same (Bond, Govendir and Wells 2016). The company needs to test the intangible assets with indefinite useful life or those tangible assets, which are not available, yet for impairment use, irrespective of the presence of any indication regarding impairment. The company can carry out impairment at any point of time in an accounting year, given that the company does the same consistently at that time of each year. To test the impairment of an asset, several indications can be used (Rennekamp, Rupar and Seybert 2014). Of those, the external sources include (a) The assets market value which has significantly decreased more than what was estimated (b) The return rate or interest rate of the market, which had gone up within a particular period, which is expected to influence the discount rate the company, uses to calculate the asset value (c) The considerable changes taken place which are expected to have negative implications for the company. Further, the internal sources, which provide indications for - (a) Evidences of obs olescence and physical damage of assets which are available (b) The changes having considerably adverse effects on the company: The changes, which adversely affect the company, include the plans for asset disposal before expected life, idle assets, restructuring or discontinuation plans for the operations including the assets (Guthrie and Pang 2013). The assets recoverable amount is usually the higher one among the value in use and the fair value less the cost of disposal. For cash generation also the same theory is applicable. The assets value in use is also estimated through: (a) The possible time variations or the future cash flow variations which are expected to occur (b) Estimations of future flow of cash expected to be generated by the concerned company (c) The cost of uncertainty, which is present inherently in the assets (d) Exogenous factors like liquidity in the market, market participation and future cash flows. The future flow of cash, in its turn includes the following: (a) Cash flows that are to be pair or received for the disposal of assets (b) The cash inflow estimations for those incurred for cash inflow generation from the continuous usage of assets, which can be attributed to the assets on a consistent basis (Ji 2013). The Para 66-108, provides guidelines regarding the identification requirement of the cash generating unit, which includes the asset and the carrying amount determination and also the impairment loss recognition for the CGU and the goodwill. In presence of indication of the impairment of the concerned asset, the individual assets recoverable amount needs to be estimated by the company. In case the estimation of the recoverable amount of the asset becomes impossible, then the company needs to estimate the CGUs recoverable amount (Bond, Govendir and Wells 2016). The smallest asset group, involving the assets and cash flow generation, which is not dependant on the inflows of cash from any other asset or asset groups is known as the CGU. These units need to be recognized from time to time on a continuous basis, for same or similar types of asset in the absence of any justified changes. The CGUs recoverable amount is the higher one among the value in use and the fair value less the cost of disposal. The CGUs carrying amount is determined consistently in the same manner as that of the determination of the amount for the CGU (Morris et al. 2013). While testing the CGU or CGU group for impairment purposes, the loss, which arises out of the impairment, is allocated to the carrying amount of the goodwill first. After the allocation of the loss, the remaining loss is distributed to the other assets, which are present under the CGU, on each assets carrying amount under the CGU, in the pro rata basis. Under this estimation process, however, the assets carrying amount is not decreased under higher between the recoverable amount of the asset and zero. The allocation process for the loss arising out of impairment is same for CGU group and a single CGU. Reversal of the impairment loss for CGU must be allocated to assets under the unit without considering the goodwill on pro-rata basis depended on the carrying amount of the asset. The increase in carrying amount must be treated as the reversal for the impairment losses for each of the assets and are recognized immediately under the profit and loss account (Hull and White 2014). While allocating the reversal of impairment loss for the CGU, the carrying amount of the asset must not increased more than the lower of (i) the recoverable amount, if can be determined and (ii) carrying amount that would have determined after taking into consideration the depreciation or amortization had not been impaired and the impairment loss were not recognized for assets in previous period. Further, the amount involved in reversal of impairment loss shall be allocated for the assets on pro-rata basis to other assets under the unit without considering the goodwill. References Bond, D., Govendir, B. and Wells, P., 2016. An evaluation of asset impairments by Australian firms and whether they were impacted by AASB 136.Accounting Finance,56(1), pp.259-288. Bond, D., Govendir, B. and Wells, P., 2016. An evaluation of asset impairment decisions by Australian firms and whether this was impacted by AASB 136. Guthrie, J. and Pang, T.T., 2013. Disclosure of Goodwill Impairment under AASB 136 from 20052010.Australian Accounting Review,23(3), pp.216-231. Hull, J. and White, A., 2014. Valuing derivatives: Funding value adjustments and fair value.Financial Analysts Journal,70(3), pp.46-56. Ji, K., 2013. Better late than never, the timing of goodwill impairment testing in Australia.Australian Accounting Review,23(4), pp.369-379. Linnenluecke, M.K., Birt, J., Lyon, J. and Sidhu, B.K., 2015. Planetary boundaries: implications for asset impairment.Accounting Finance,55(4), pp.911-929. Morris, R.D., Gray, S.J., Pickering, J. and Aisbitt, S., 2013. Preparers' perceptions of the costs and benefits of IFRS: Evidence from Australia's implementation experience.Accounting Horizons,28(1), pp.143-173. Rennekamp, K., Rupar, K.K. and Seybert, N., 2014. Impaired judgment: The effects of asset impairment reversibility and cognitive dissonance on future investment.The Accounting Review,90(2), pp.739-759.

Tarot History Essay Research Paper The Tarot free essay sample

Tarot History Essay, Research Paper The Tarot has a disconnected history that intrigues historiographers, bookmans, hobbyists, and mediums likewise. Pulling on the concrete facts that are available, we will try to briefly explicate the beginnings of the Tarot, and follow some of its mileposts through the centuries. The designs of the 22 cards in the Major Arcana can be traced back every bit far as 1440, when the first known deck appeared in Italy. The 3 decks called the # 8220 ; Visconti Trumps # 8221 ; are by and large regarded as the # 8220 ; sires # 8221 ; of the decks that are widely available today. It is believed that they were originally created as a game for Nobles. It is non until centuries subsequently that the cards reemerged, this clip as a tool of divination. In the latter half of the fifteenth century, the cardmakers in Marsailles, France began to standardise the Trumps. Before this organized production, those who played the Trumps could order which they wanted to include, and which they wanted substituted or eliminated. We will write a custom essay sample on Tarot History Essay Research Paper The Tarot or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Certain cards ; Death, the Devil, and the Tower in peculiar ; were considered violative by the more conservative Nobles. These images caused spiritual leaders to try to censor the Trumps. The first elaborate mention to the Trumps of the Tarot is in the signifier of a discourse. This discourse, given by a Franciscan mendicant in Italy sometime between 1450 and 1470, contends that the Trumps were invented and named by the Devil. It condemns the usage of the cards, and by and large credits them with the victory of the Devil. Harmonizing to the mendicant, the Devil wins through the loss of the psyche of those who play what was so, rather likely, nil more than a simple game. The metempsychosis of the Tarot, and its beginnings a agencies of divination, are attributed to Antoine Court de G belin in 1781.He believed it was Egyptian in beginning, and that it contained mystical cognition that had been purposefully encoded in the symbolism of the Trumps. Specifically, he theorized that the cards were the key to lost Egyptian charming wisdom written by Thoth, the Egyptian God of divine written cognition. The Trumps themselves began to perceptibly germinate from this point frontward. Changes were thought to hold been introduced by the different secret societies who produced the decks. The first history of divination through the usage of cards is attributed to cartomancer Jean-Baptiste Alliette, better known as # 8220 ; Etteilla # 8221 ; , in 1770. He was the first to print mantic significances for cards, and merely 32 cards ( plus one, stand foring the querent ) were included in this edition. At this clip, merely regular playing cards were mentioned. Later, Etteilla published several plants that involved the Tarot Trumps specifically. It is no surprise that these ulterior Hagiographas coincided with deGebelin # 8217 ; s then-recently-public intervention of the Tarot as a wellhead of Egyptian supernatural cognition. Etteilla must hold anticipated the Tarot # 8217 ; s leap in popularity: his was the first deck available to the populace expressly for the intent of Cartomancy. The find of the Rosetta Stone that translated the hieroglyphs of the Egyptians in 1799 did non give any support to the theory that the Trumps hailed from Egypt. Still, the belief endured and was augmented in 1857 Wisconsin th the debut of the impression that the rolling Romani people – † Gypsies† thought to be posterities of Egyptians – had carried the deck with them on their travels through Europe. In the 19th century, the celebrated occultist known as Eliphas L six developed a correlativity between the Tarot and the Kabbalah: the Hebrew system of mysticism. This fueled a new belief that the Tarot originated in Israel, and contained the wisdom of the Tree of Life. The new theory brought all 78 cards together as keys to the enigmas, but once more, there were no concrete facts to back up it. Nevertheless, something of import was accomplished. The theory would subsequently function as cogent evidence that the symbolism of the Tarot crossed all boundaries. From this point frontward, many charming and esoteric groups recognized the Tarot as a timeless organic structure of cognition that had significance in every mystical way. Since that clip it has been linked with about every charming system or faith known to humankind. The Tarot is comprised of archetypical images that cross lingual, cultural, geographical, and temporal barriers. The Theosophical Society, the Hermetic Order of the Golden Dawn, the Rosicrucians, the Church of Light, and the Builders of the Adytum ( B.O.T.A. ) all secured the Tarot # 8217 ; s place in the 19th and twentieth centuries. In the United States of America, the Tarot became popular and more readily available in the 1960 # 8217 ; s, when a period of geographic expedition in spiritualty began. Arthur Edward Waite is credited with the Renaissance of the Tarot in the Twentieth Century. He commissioned artist Pamela Coleman Smith to make what he called the # 8220 ; rectified # 8221 ; Tarot. Created by a member of secret societies besides known as a august mystic, Waite # 8217 ; s version has been widely accepted as the criterion, and is by far the most popular deck of the century, rich in symbolism and easy understood due to the simple nature of the graphics. In the sentiment of many learned Tarot partisans, the most important change the deck has experienced is Smith # 8217 ; s intervention of the Minor Arcana. Hers are the first # 8220 ; pip # 8221 ; cards to incorporate images picturing the significance of the cards. These artworks allow readers to explicate the significance of each cards nicety to querents who, in most instances, have neer encountered the cards before. This artistic tendency can be traced through the bulk of the decks produced after the Rider-Waite ( 1910 ) , and Smith # 8217 ; s influence is readily recognized, as many of the images echo her drawings. Today # 8217 ; s Tarot card designs reflect specific tendencies in gender, faith, civilization, and doctrine. There are literally 100s of readings, and more are being conceived as this is being written. The diverseness of the manners allows Tarot Readers to take a deck that suits their personalities, the topic of the reading, the individual having the reading, or any other variable as they so choose. Certain decks have a serious tone, some have a dream-like quality, others are full of sketch images. The true beauty lies in the Tarot # 8217 ; s ability to retain its # 8220 ; soul # 8221 ; through each metabolism and embodiment. It is, on many degrees, a mirror of those who work with it, and allows them to do each reading a truly personal experience.